Putting on events

Marketing your events – a step-by-step guide

You’ve picked a date, booked a venue, agreed on a programme, and now it’s time to get cracking with ticket sales. This guidance will lead you through a set of steps to help you effectively market your events.  

Performing Rights (PRS) for dramatico-musical works

If you're performing dramatico-musical works (e.g. an opera, musical, revue, pantomime or ballets) then Grand Rights apply and additional permissions must be sought be required.

Audience development case study: Bristol Choral Society 'Mini Messiah' concerts

Robert Convey of member group Bristol Choral Society explains how they have begun to create the audiences and music makers of the future with their Mini Messiah concerts.

Fundraising case study: Harmony Sinfonia school workshops

Crowdfunding involves using online platforms to gather small donations from a large audience to fund particular events, initiatives or projects.

Group collaboration agreement

Groups collaborating on joint projects and events can be a lot fun and hugely beneficial for everyone involved. There are things to be aware of that are different to planning normal events and we have produced some guidance that looks at planning a joint event to help with this. One area this covers is having a simple agreement document between the groups. 

A step-by-step guide to commissioning new music

This guidance provides a step-by-step guide on how to commission new music. The guidelines are designed to help you choose a suitable composer for your group’s needs, negotiate the commissioning process, raise funds, market your piece successfully, and ensure future performances of your commission.

Discounts on online ticketing booking fees

Making Music has teamed up with TicketSource and WeGotTickets to offer Making Music members special offers on their online ticketing services.

Find a Musical Vacancy

Looking to use your musical (or non-musical) talents to get involved in music making? Use our simple search filters to find opportunities with amateur music groups near you.

Case study: collaborating with other music groups

Collaborating with another music group is an excellent way of creating variety in your programming, as well as tackling repertoire you may not otherwise have a chance to play. This case study includes the motivations and learnings from one such collaboration: between Chantage and Nonesuch Orchestra.

Running a ‘Come and Sing/Play’ event

‘Come and Sing/Play’ events are a simple but brilliant idea: you open up your group for a day, for anyone to come along and sing or play an instrument. This tool kit will help you decide what sort of event you want to run and give you practical advice on how to plan and run an event.