Dominic Matthews, experimental composer from Manchester, discusses the power of community, accessibility and exploring new music
Ann Westwood, president of the Glasgow Orchestral Society, recounts their first encounters with music creator Joshua Brown as par
Carmel Smickersgill describes the culmination of her collaboration with the Junior Leeds College of Music Ensemble Creative as pa
Hayley Hodges of Voices of Exmoor talks about her group's creative workshop with their AaMC collaborator Hannah Fredsgaard-Jones.
Sheila Biegala of Ugie Voices and Foss Foster of Aberdeenshire Saxophone Orchestra (ASO) describe the grand finale of their perfo
Ben Lunn looks back at the last 16 months of socially-distanced rehearsals, Zoom videos, bell caps, face masks, and a storm that
In this joint blog, Sheila Biegala of Ugie Voices and Foss Foster of Aberdeenshire Saxophone Orchestra (ASO) describe their tumul
Hannah Fredsgaard-Jones describes her first meeting with Voices of Exmoor as part of their Adopt a Music Creator 2022 collaborati
Edgar Divver recounts his first month working with Bedfordshire Woodwind Academy Flute Ensemble (BWAFE) as part of their Adopt a
Rebecca Demott of the Bedfordshire Woodwind Academy Flute Ensemble (BWAFE) relates her group's first workshop with music creator
